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'In Her Own Hands' Risograph Print by Rachel E Millar


  • Image of 'In Her Own Hands' Risograph Print by Rachel E Millar
  • Image of 'In Her Own Hands' Risograph Print by Rachel E Millar

A print designed by Rachel E Millar based on her original painting for the 'Pre-Vinylettes Suffragette Centennial' in Portland, Oregon. This A3 risograph is printed onto 170gsm recycled white card stock, edition of 80. 25% of profits will be donated to pro-choice charities in the UK – supporting a woman's rights to access safe, legal abortions.

Due to the process of risograph printing each print is unique and may vary slightly in colour. Actual size 297mm x 420mm. Printed by Risotto Studio in Glasgow, Scotland. Posted flat in a bio-based clear sleeve with recycled backing card in a reinforced cardboard envelope.

More about the painting:

The inspiration for my piece came from research into the experiences of Suffragettes in Scotland during their most active year of 1912. During this year, protestors took to more violent protest and were often imprisoned for ‘malicious mischief’. Most went on hunger strike, which started the now infamous trend of force feeding. Arabella Scott was imprisoned in Perth for six days and force fed throughout her sentence. In a letter in reply to her mother asking for her release, the Secretary for Scotland saw no reason why the demand should be granted— ‘and as for forcible feeding, the prisoner has the remedy in her own hands.’

This response echoes what we hear in so many aspects of life as women. When the actions of others affect women, the first question is directed to what the woman could have done to stop it and implies that we must change our behaviour to stay safe. Our choices should not be affected by what others do or others say and should not be placed on that of the victim. I chose to paint ‘In Her Own Hands’ as this is exactly what every woman should have – her own life, career and body in her own hands and no one else’s.